Category: 18.15

Categories
18.15 2026 Kväll Rullstolsåtkomst/Wheelchair accessible UNGDOM/VUXNA

TEATER AROS – Replika

TEATER AROS

Replika

Sam ställs mot sina klasskamrater när en osäker sanning växer till övertygelse. I takt med andras påtryckningar förändras Sam. Har Sam blivit utbytt mot en kopia, en replika? Föreställningen handlar om grupptryck, vad det innebär att vara människa och sanningens skiftande natur.

 

Vilka är vi?

Sedan 2009 har Teater Aros verkat som en ideell förening i mötet mellan scenkonst, språk och samhälle. Genom föreställningar och pedagogiskt arbete skapas rum för delaktighet och uttryck för barn, unga och vuxna. Föreställningen Replika spelas av vår ungdomsensemble och deltar i LÄNK 2026 (Riksteatern).

ENGLISH

Replica 

Sam is pitted against classmates as an uncertain truth grows into conviction. Under pressure from others, Sam begins to change. Has Sam been replaced by a copy—a replica?

The performance is all about peer pressure, what it means to be human and the shifting nature of truth.

Who are we?
Since 2009, Teater Aros has been running as a non-profit association at the intersection of the performing arts, language and society. Through performances and pedagogy, we create space which allows people to get involved and to allow expression on the part of children, young people and adults. The production Replica is performed by our youth ensemble and forms part of LÄNK 2026 (Riksteatern).

STPLN, Malmöhusvägen 5

18:15-19:15

För/For: Från 15 år
Antal platser/Number of spots: 30

teateraros.se

Tillgängligt

Categories
15.00 18.15 2026 Kväll Rullstolsåtkomst/Wheelchair accessible VUXNA

FOLKE NARIN – En skadespelares arbete med sin själ

FOLKE NARIN

En skadespelares arbete med sin själ

Skadespelaren arbetar inte. Inte mer än med psyket och processerna i nervsystemet i alla fall. Och det arbetet har inget tydligt slutmål, ingen premiär att arbeta emot.

En skadespelares arbete med sin själ är en monolog om att bli abrupt avbruten. Att totalt stanna upp på grund av fysiska tillkortakommanden och hur detta oundvikligen påverkar den mentala världen. Den handlar om teater, identitet, privilegier, avundsjuka och egoism. I det specifika fallet av att vara en skadad skådespelare hittas också något djupt allmänmänskligt som handlar om när saker inte blir som man tänkt sig och om att inte kunna vara med och leka.

Ingredienser:
1 ½ fot
15 st dramatiserade hjärnspöken
3 dl skruvat triangeldrama
200 g förvrängda ord
1 msk förbjudna känslor såsom självupptagenhet och avund
1 dl digitala trummor
4 månader konvalescens med efterföljande fysioterapi
4 msk löjliga lustigheter
1 krm goda framtidsutsikter
Tillagning:
ca 1 timme i 37°C för allmän beskådan

ENGLISH

An Injured Actor’s Work with His Soul 

An actor does not work. At least not other than with the psyche and the twists and turns of the nervous system. Such work has no clear end goal, no premiere to work towards.

An Injured Actor’s Work with His Soul is a monologue about being abruptly interrupted. About coming to a complete stop due to physical failings and how this inevitably affects the mental universe. It covers theatre, identity, privilege, jealousy, egoism. In the specific case of being an injured actor, there is something deeply universal to be found –when things do not go as planned and about suddenly not being allowed to come out and play

Ingredients:
1 ½ feet
15 dramatized figments of imagination
3 dl twisted love triangle
200 g distorted words
1 tbsp forbidden feelings such as self-obsession and envy
1 dl digital drums
4 months of convalescence followed by physiotherapy
4 tbsp ridiculous absurdities
1 pinch good future prospects

Preparation:
About 1 hour at 37°C for public viewing

Who are we?
Folke Narin is a freelance actor trained at the Theatre Academy in Helsinki. He has worked with, among others, Teaterrepubliken, Teater Theatron, Teater Halland. An Injured Actor’s Work with His Soul was created in the autumn of 2022 as Folke’s artistic final project and part of his Master’s degree at the Theatre Academy. Since then, the monologue has toured to venues including Borås City Theatre, Dalateatern, and Ö2 Scenkonst in Stockholm.

Caféscenen, Teater 23, Djäknegatan 7

15.00-16.00

18.15-19.15

För/For: Vuxna/Adults
Antal platser/Number of spots: 28

teater23.se

Tillgängligt - 2 platser

Categories
18.15 2026 English Kväll UNGDOM/VUXNA

DINA GORDON – Lose again. Lose better

DINA GORDON

Lose again. Lose better

The YouTube channel owning, self-published author and dynamic therapy advocate, invites you to a workshop on how to locate, understand and overcome what’s keeping you from unlocking your full potential.

As a former Musical Theatre artist he has a long standing practice of getting over rejection under his belt. This prompted him to develop a method on how to foster a resilient mindset and reach your full potential. Through exercises, personal accounts and working through and with discomfort, you are familiarized with strategies from his book “Lose again. Lose better”, available at a discounted rate during the break.

 

Who am I?

Dina Gordon is a theatre maker and performer from Sweden, whose work searches for the blurred space between the so-called fictive and the so-called real. Always on the lookout for characters on the streets of nondescript cities, whose inner lives have gone unnoticed to most. She wants to place these peripheral lives on a stage. Making it the centre of a universe that is unsettling, comic and always in between. 

Dina has a background in classical ballet from The Royal Swedish Ballet School and Acting from East 15 Acting School in London, where she worked for a decade with her collective ‘all good artists are dead’ before moving back to Sweden. She has a degree from the international Master Programme in ‘Performing art as critical practice’ at Teaterhögskolan in Malmö. The work you will see is the culmination of two years of deepening, expanding and transforming her practice.

Andy’s Corner, Helmfeltsgatan 5b

18.15-19.15

För/For: Från/From 16 år/years

Antal platser/Number of seats: 40